A group of women escape a traumatic event to create a utopian, self-sufficient community, becoming a living caryatid.
A film by Ayelet Carmi and Meirav Heiman.
A rich variety of films that we have accompanied on their way to leading festivals.
A reflective gaze from the balcony of my temporary apartment in Tel Aviv toward the films I shot at my
Behind an IDF UAV screen, a pregnant drone operator’s new life collides with the deadly command she is ordered to
A mundane kitchen conversation unearths a lifetime of repressed pain, leaving a daughter to wonder if she is destined to
Yarden Bloom lives by one rule: to keep everything in proportion. Mishaps, dismissals, breakups, and a range of events pass
In the film “BLISS” a group of women escape a traumatic event to create a utopian, self-sufficient community, becoming a
In 1995 Israel PM Yitzhak Rabin was assassinated by Yigal Amir, a radical right-wing extremist. Israel’s present political and social
A woman’s visit to the gynecologist awakens collective trauma while revealing a timeless feminine bond.
A 12-year-old girl and her activist father set out on a journey against powerful corporations, redefining the meaning of home.
A secret between a sister and her brother told in a poetic way.
The world of film festivals is expanding at a breathtaking pace. From prestigious category A and B festivals, through documentary showcases, to platforms for student films, music videos, pilots, and web series.
Many filmmakers reach the finish line with a wonderful film but get stuck at the distribution stage. We’re here to ensure your film reaches the right screens and deserving audiences. Because a film that stays in the drawer is an unread chapter in the story of cinema.
Contact us to hear how we can guide your film on a successful journey through festivals around the world.
Do you have a question about film distribution? We’re here for you – to advise, direct, and share from our accumulated experience.
Films of all genres and lengths – shorts and features. Fiction films, documentaries, animation, experimental, VR, pilots, web series, and music videos.
Many festivals will allow the submission of a work in progress, but most also do not approve resubmissions. So think carefully about whether it is worth submitting such a version. Sometimes, it is better to wait a year and submit a finished version.
Usually a synopsis (sometimes two – short and long), stills, biography, poster, director’s statement, and list of credits. As for the submitted screener link, it is recommended to work with a password-protected link.
Yes. A good trailer helps the film stand out and may attract the attention of the programmers. If the budget is exhausted, a short scene from the film can be cut out, which can be a trailer.
It is customary to say that the end/beginning of the year is a good time to start, but at any point in the year, there will be major festivals that accept submissions, so any time is a good time to start.
Some of the major A-category festivals require an international premiere (a few even require a world premiere). In principle, every festival has its own requirements and preferences, but even a festival that does not require a premiere will still prefer it. So, at the beginning of the distribution process, think carefully about the goal, and what is the right course of action to reach it.
