A rich variety of films that we have accompanied on their way to leading festivals.
Survivor of a terrorist attack that turned into war, Heartbreak, a character of silence – a mime-dancer – crosses the
A filmed diary of Noga Friedman, a war widow who lost on 7/10 her beloved partner and the father of
When Sigal goes on yet another date, she shares a joke about Hitler. Her date interrupts constantly, causing her to
In a desolate industrial landscape, a man finds a strange tiny house and brings it home. Its charm slowly fades
Adam, a young man in his twenties, has been isolating himself in his room for a long time. The walls
Know Hope is a film about an American-born street-artist working in Israel-Palestine. In this critical moment in history, the anonymity
Avigail (19) seeks to unchain herself from childhood, but instead, she must take responsibility for her younger sister’s unwanted pregnancy
“Hora” reveals the dream of local dance. An allegory of Israeli identity, both past and present, through the world of
A Man Walks Down the Street is the story of Raanan, a middle-aged man who, for the first time faces
Season Two of the successful series “Freedom Farm Sanctuary” United by their will to live despite past trauma, we are
The world of film festivals is expanding at a breathtaking pace. From prestigious category A and B festivals, through documentary showcases, to platforms for student films, music videos, pilots, and web series.
Many filmmakers reach the finish line with a wonderful film but get stuck at the distribution stage. We’re here to ensure your film reaches the right screens and deserving audiences. Because a film that stays in the drawer is an unread chapter in the story of cinema.
Contact us to hear how we can guide your film on a successful journey through festivals around the world.
Do you have a question about film distribution? We’re here for you – to advise, direct, and share from our accumulated experience.
Films of all genres and lengths – shorts and features. Fiction films, documentaries, animation, experimental, VR, pilots, web series, and music videos.
Many festivals will allow the submission of a work in progress, but most also do not approve resubmissions. So think carefully about whether it is worth submitting such a version. Sometimes, it is better to wait a year and submit a finished version.
Usually a synopsis (sometimes two – short and long), stills, biography, poster, director’s statement, and list of credits. As for the submitted screener link, it is recommended to work with a password-protected link.
Yes. A good trailer helps the film stand out and may attract the attention of the programmers. If the budget is exhausted, a short scene from the film can be cut out, which can be a trailer.
It is customary to say that the end/beginning of the year is a good time to start, but at any point in the year, there will be major festivals that accept submissions, so any time is a good time to start.
Some of the major A-category festivals require an international premiere (a few even require a world premiere). In principle, every festival has its own requirements and preferences, but even a festival that does not require a premiere will still prefer it. So, at the beginning of the distribution process, think carefully about the goal, and what is the right course of action to reach it.
